“Back to Cohen -- Cliff Le Jeune and the Blue Engine String Quartet, arranged by Lisa St. Clair.” June 12, 2010. 3x4′ canvas in 3 hrs.
“Back to Cohen -- Cliff Le Jeune and the Blue Engine String Quartet, arranged by Lisa St. Clair.” June 13, 2010. 3x4′ canvas in 3 hrs.
Two nights of Cohen. Two canvases, each 3x4′ in size. I sat in the same spot both nights. These works were each completed in around three hours.
I hadn’t painted in the Company House for a month, and there was a Leonard Cohen tribute there on the weekend. I couldn’t miss that. The show featured vocals by Cliff Le Jeune, with musical accompaniment by the Blue Engine String Quartet, arranged by Lisa St. Clair. (Two videos of their combined work below…)
Cliff Le Jeune + the quartet performing Famous Blue Raincoat by Leonard Cohen
Cliff Le Jeune + the quartet performing Take This Waltz by Leonard Cohen
On the first night, I sold the completed work to a sailor in the port from Denmark. That painting will be traveling a long way to get home from Nova Scotia!
The next night, someone else -- a friend of Cliff’s -- bought the paintingI did for him. I presented it to him at the very end of the night. It was well-received.
I will never forget last night! When you brought your beautiful work for me to cherish I was completely speechless (and that is not easy to achieve!!!) It is as priceless as the hand written note that Leonard sent to us.
Thank you, thank you, thank you…CLIFF xx
It was definitely a show worth seeing.






Wedding Reception in Wolfville
no comments“Wedding Reception in Wolfville” – Live painting in 3 hours on a 3×4′ canvas. 2010
Now this was an adventure. Not only was it the third live painting of the day…
Somewhere in between Halifax and Wolfville I managed to get myself lost. I panicked a moment, then got back in that car and found my way to the party.
I set up a giant 3×4′ canvas with no real genuine room to paint, but I made do. (I always do – if the Powers That Be for any given space will let me in…)
It was at a private home under a tent in the yard. There was a fireworks show outside the tent while I was setting up, so I painted those in early in the piece creation. There was a live band moments after that. People were just starting to dance! Soon there was wild happy dancing in front of me. The day had a thirties gangster theme, so everyone was dressed in fedoras and vintage attire. Fun.
The floor was bouncing up and down from people’s dance steps, and the mist of the night threatening to spoil my live painting fun (like it tried to do at the Halifax Jazz Festival.) It’s moments like that where the experience of painting in different settings and locations throws unexpected challenges into the process of creating the art… and it makes me feel just a little nuts for doing it. But I think secretly (or not so secretly) I cherish those moments.
I tried to capture the dance party that happened on one side of the tent vs the quiet of the wedding tables and settings left from earlier on. I think that the guests were overwhelmingly having a grand time. I hope that the wedding couple enjoy the resulting artwork.